General Hospital Review

Quick Takes

What's 500 Lawyers At The Bottom Of The Port Charles River?
by Joan Roseman

I know it's easy to bash lawyers, and on GH the DA and ADA are always fair game, but if I were Alexis Davis I would, I don't know, sue? Alexis is certainly the most professional, dedicated, and competent attorney to hang out a shingle since Lee Baldwin. If she takes on a new client, he or she can rest assured that Alexis will throw herself into the case with passion, commitment, and some fierce intelligence. Her personal life may be a mess, and in recent months she has demonstrated am alarming tendency to behave like a ball of mercury escaped from a thermometer, skittering away when she should confront, but in the courtroom or across a conference table, she is a laser beam, focused on the interests of her clients. Unlike the other inhabitants of Port Charles, whose professions exist only to provide funds to pay the check at Kelly's or The Port Charles Grill, Alexis's profession matters to her. It defines her. So why do the people who profess to love her, or at least to respect her, so easily dismiss the concept that she is bound by professional ethics? Virtually no one makes room for the concept that Alexis was correct in protecting her client, Zander Smith, even if Emily's safety was at stake? Granted, it was an uncomfortable position, and one with which she had understandable problems, but why is there no one supporting her, if only another attorney? Why has no one (I don't count Chloe, who is more invested in the Ned-Alexis relationship than the issues) made an effort to sit Ned down and explain Alexis's legal dilemma? If there were a priest in town, or any clergyperson, surely they could relate, but the show is called General Hospital, after all. How about a doctor to relate Alexis's position to one of doctor-patient confidentiality? Oh! Silly me! At GH there is no confidentiality. My bad. Go about your business.

The New (but maybe not improved) Port Charles
by Amy McWilliams

I'm not really happy with the new format for Port Charles, and I'm not sure why. It features, after all, my favorite characters. It has Kevin Collins front and center in a family dilemma and puts him back together with Lucy. But there's just something off, for me, about this version of our "little soap that could," and I've been trying to figure out why. I should point out that I've only watched the first month of "Fate," December, but I hear from other editors that the things that disappoint me hang around into early Febuary when I'm writing this. I've come down to three things, and though I may not be able to put my finger on the specifics, here's my general reaction.

1. Isolation: PC has, before "Fate," done a better job of keeping characters integrated with each other. Though characters fall into several groups according to storyline, PC hasn't lost the feeling of community that I've found lacking on GH recently. You could always count on people to come together in hospital scenes, or at the Recovery Room, and even brief encouters (such as those between Chris and Eve) were satisfying because there was some sense of history and connection behind them. With the onset of "Fate," the first big event was to isolate Eve and Ian away from everybody. Kevin and Livvie's fantastic scenes slowed down as she wound up primarily with Chris and Jack. And while Allison works at the Recovery Room, she and Jamal felt completely isolated in their Christmas job storyline. I would have rather seen Ian and Eve deal with their feelings in the same rooms, the same town, as Kevin, Lucy, and even Karen (who did, after all, have a date with Ian at some point).

2. Pace and Balance: This is a weird one, but bear with me. While I feel that while PC has always moved more quickly, I feel now that it moves a little too quickly. We go from one big moment to the other, and have lost the little, every day stuff in between. There's no sense of balance between the truly "soapy" stuff and the more mundane, between the heavy and the light, the dark and the comic. In other words, we have Victor on the scene, but we don't get of Victor's Victor-ness (there was nary an accordian in sight). The weirdness kicks in on the other hand, because I also think that PC is suffering from repetition--from doing the same scenes over and over without moving on, from treading water while we wait for the next chapter to begin. How many times can we have Eve and Ian saying the same lines about striking deals with Harris, or refusing to leave each other?

Finally, we had a big event at the beginning, with Eve and Kevin's disappearance, and a big event at the end, with their return, but most of the first chapter of "Fate" was the same old thing day in and day out. And while some of it was enjoyable, the things that got left out of this new format are apparently the things I enjoy most of all.

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