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View a section by clicking on the links below, or read the entire review by scrolling down. The review takes up 7 separate pages, but the navigation at the top and bottom of each remains consistent.
General HospitalThe CassadinesThe Quartermaines The Jacks Jason Taggert/Dara/Justus Port CharlesTaggert/Dara/Justus
The triangle between Taggert, Dara, and Justus annoys me. It's been getting too much screen time and I find only Taggert the least bit interesting. Dara was made to be a supporting player, and she does nothing to make this storyline any better. We've been forced to catch up, as it were, on some of her background so that we can understand why she's behaving the way she is; that's a sign to me that we didn't know enough about her to care in the first place. Taggert is only slightly better, but with Sonny gone his primary motivation seems hollow. Real Andrews is a ball of fire, and I am glad we've gotten him back and kept him around, but he can't sell this storyline to me on his own. |
Monica: "I've certainly done things I haven't been proud of, and you certainly know that." Justus: "Oh, really? Have you killed anyone, Monica? I don't mean losing a patient on the table, even a patient you should have been able to save, although that may have a place of its own on the sliding scale of right and wrong, but it's not murder." Monica: "I don't think we should go any further with this." Justus: "Hey, hey, wait. I thought this was true confessions time. So, tell me, honestly--I really want to know--what have you done that can compare with my crimes? Marrying Alan? True, that has had plenty of morally shaky consequences. But have you ever picked up a baseball bat and bashed a man's brains in? I didn't think so. Now, granted, the brains I bashed in were only Damian Smith's, but I think I get bonus points for letting an innocent woman stand trial. Don't you agree? Top that." And, of course, there's Justus. I would still resent the fact that time was being taken away from Mac and Felicia and the Quartermaines if Joseph C. Phillips were playing this storyline, but I would at least believe it. This new Justus I care nothing about. It's not the Justus I knew and liked; everything from the style of performance to my understanding of the character has changed. Because of this, what was to be a climax in the storyline--Justus's confession to Monica--didn't work. I spent the whole scene imagining Phillips in the role and how he would have made me cry for the pain Justus was going through (not to mention that cheesy, manipulated moment of tension when the tape player clicked off in the middle of his story). I'm not against recasts, and Justus was never one of my favorite characters even with Phillips. But this Justus is a waste of my time. Leslie Charleson, however, did a nice job with those scenes. I admire an actor who can listen or observe a scene and let me know exactly what's going through their character's mind without obviously acting, and her almost blank face, her subtle pulling away from Justus, were nice. Joan Roseman writes on this new conception of Justus--and remembers the old--elsewhere in this issue.
Justus: "What do you want me to do?" With all of that said, the best sequence in this storyline came after Laura's testimony. The sex scene was beautifully done, and I actually felt something for Dara. I was actually, for just a little while, interested. Perhaps that was because the scenes were dovetailed into that astounding Cassadine/Spencer day, but it was good. And the next day, when Monica came by and Dara had to hide, was ok too with a nice counterpoint from Jason and Justus discussing how to take care of Taggert...legally. But a handful of scenes cannot buoy up this floundering storyline. I just don't care.
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