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View a section by clicking on the links below, or read the entire review by scrolling down. The review takes up 7 separate pages, but the navigation at the top and bottom of each remains consistent.
General HospitalThe CassadinesThe Quartermaines The Jacks Jason Taggert/Dara/Justus Port Charles
Laura: "I bitterly resent the way he he's treated my husband, Luke, and my other son, Lucky. But I have never doubted his devotion to Nikolas. And it meant everything to me to know that Nikolas had someone that he could rely on, even if it couldn't be me." Laura: "There was no 'then what.' It all sort of happened at the same time. I stepped out on the parapet, they saw me, Katherine took a step back, and the railing gave way." Laura: "After Stefan was arrested, I waited, but no one ever came to question me. I went to him and asked him if he wanted me to do anything, and he said no. I didn't know what was best. There were insinuations being made about the two of us that my coming forward might seem to confirm. But this morning I realized that I didn't have a choice. If I kept silent, he might actually go to prison."
Laura: "I...I'm not sure I understand the question. Did Stavros and I..." Laura on the stand was a beautiful thing to see. Of course we knew that she would say nothing that would get Stefan in more trouble, or anything that would hurt Nikolas. She was wonderful, dodging the potholes and saying precisely that which would prove Stefan innocent. She explained away her delay in coming forward, turning the prosecution's accusations against them, and she remained calm and collected, looking like a mother worried about her son. But she was also a wife worried about her husband's reaction, and she, like most people in the room, knew that he would be angry simply that she was testifying, and so we had that mantra of Spencer mantras, "I had no choice." Her worry, I think, and her honesty (ironic as that may sound), led her to her one slip. When Dara asked her the dreaded question, Laura hesitated, played coy, and almost gave it away. A simple no would have sufficed and drawn less attention to the question and the answer. Luke still would have known. But she would have looked less guilty, perhaps even to him. I was amazed that Nikolas didn't pick up on it, but maybe he will lateer, when he's not so euphoric When the judge called recess, the immediate reactions of all were beautifully directed. Luke quickly left (strangely, he managed not to look hurried), while Laura ran after him. And Alexis restrained Stefan from going after her. Very nice. Helena: "Well, a fantasy come true. Against all odds, and in public, too. The woman of your dreams stands up for you at last. Oh, a dead fiancée must seem like a small price to pay?" Nikolas: "Laura stood up for me. I went to her this morning, and I told her how afraid I was, that I'd ruined everything and that you might be convicted because of it. She must have gone to you right after that. She chose me. For once, she chose me." Katherine: "Happy now? She chose you." This set of responses from the Cassadines bothered me a bit. At first I thought it was the language of choosing, used by both Nikolas and Katherine. Then I decided that the sense that the Cassadines knew what heavy price Laura would pay for this--that it would be more than just Luke's typical anger. In fact, the language of choice came to make perfect sense to me. Oh, it always made sense where Nikolas was concerned. Because even though I didn't see Laura making a binary choice--not one son or family over the other--it made sense that Nikolas would see it that way. He knows that she didn't give up anything, or at least that she didn't choose to give up anything, but she did choose to act on his behalf, openly and in a major way, and that meant the world to him. Nikolas actually seemed his own age in the aftermath of the trial, and this line was the first instance of that. No, it was the fact that Stefan envisioned Katherine saying that Laura had chosen him that bothered me, because that clearly wasn't the choice by any stretch of the imagination. Yet all along it's been clear that Stefan's been conjuring up Katherine to ease his conscience and that she would never say these things (unlike Luke, who conjures her up to speak the truth, perhaps). But as I watched this particular visitation, I got the impression that Stefan knew what he was doing and that Katherine had taken a slightly ironic, slightly threatening tone. She did, after all, take her place not at his side, but in the judge's bench. And after Helena's sarcasm, Katherine's response seemed in the same vein--seemed to echo Stefan's knowledge that Laura had not chosen him. And I decided that it was a very nice touch indeed. Helena: "Oh, darling. To be where you've been, I'd have to be a brain donor." If the scene that cut away from Helena in Katherine's hospital room only to have her leave a few minutes later just before Katherine died didn't set off any alarms, her almost-if-not-actually playful demeanor throughout the trial sure did. Everybody knew--or should have known--that something was most definitely up.
Nikolas: "You smother me sometimes, you know that? Most of the time, actually, and--and I hate that. But you're so determined to protect me, which is why I can understand that, I guess. But the thought of you gone? Wow. Impossible. When the judge--he announced that verdict, it was like hearing my father was free. You've always been like a father to me, you know that." This was the other instance that had me believing that Nikolas was a teenager. It was a lovely moment, beautifully done, even if the dramatic irony was a little heavy...
Helena: "Well, admiring Wyndemere or are you trying to melt it with your eyes? You know, I think you could have done it back in the days when you were partnered with Robert Scorpio. But Alexis? Oh, Luke. How could you stoop so--so low? I mean, I treasured all of your love notes--the loosened railing and the forged will with my fingerprint. Oh, you tried to murder me, and, that failing, you tried to frame me. God, I could hardly sleep those nights knowing that you cared. But how pathetic that the best you could do for a partner was Alexis, my husband's back-alley tramp's illegitimate issue. Oh, Luke. It's a real problem." People were up in arms about this one. The thought that Luke would hand over the information he had so easily and quickly to Helena, putting Nik's life in danger was horrid to them. I say that if the thought hasn't crossed Helena's mind before, she's even denser than Nikolas is about the whole thing. And while it was crystal clear to us that Luke was talking about Nikolas, I'm not convinced that Helena put two and two together and immediately got four. She'll know that Luke has left town, and she'll know it has to do with the trial. But she's not being written as smart enough to figure this one out based only on this comment. And perhaps that's a shame. Because clearly Luke hasn't had time to make a plan, to think through how things would fall out if he told. While I'm not willing to say this was a knee-jerk reaction or a quip made off the cuff, I don't think that it was some plan to reveal the truth to Helena before he left town. We'll see if Helena ever mentions it again or asks him about it when he comes back.
Ned: "So, where's Luke tonight?"
Ned: "So, is this your new favorite hangout? As for me, I don't come around
Here very often because it seems whenever I do, people are always getting blown up or shot at. But I suppose that sort of thing just sort of rolls off your back--just part of being in a place that you feel comfortable in--Murder, Inc."
Ned: "Because I have a very important job for you. I need you to make me a better person ASAP--or by the end of the evening, whichever comes first."
Ned: "You should have invited Stefan to come and see the show with us." Alexis: "You never said anything about leather pants." The star of the showcase was Ned, in more ways than one. I loved having Ned back, with his sense of ironic humor and his connections to so many of the characters on the canvas (if the powers that be would just acknowledge them). His conversation with Justus at the bar was simply a set-up for the scenes with Monica later, but they still sparkled, reminding me of how much fun I used to have with Justus and the Qs. And, most of all, I love Ned and Alexis. I've said before how much I would love for their relationship to really be worked out in terms of each character's motivations. They are fun, sexy, romantic, and damned entertaining. I adored Ned and Lois. They were the first couple I fell head-over-heels in love with when I started watching. They were wonderful in so many ways. But their downfall was the fact that Lois fell in love with Eddie first. Alexis doesn't have that problem (although of course they will have others). She sees Ned for who he is as a Quartermaine, and now gets to discover the lighter side of him--and the leather pants--where Lois had to do it the other way around. Yes indeed, I would love to see this played out to the fullest. |
Alexis: "Hello." Luke: "You got such a way with words." Alexis: "Where the hell have you been? I expected more contact from you." Luke: "You trying to tell me something, Tash?" Alexis: "Don't flatter yourself. We still have a lot of loose ends to tie up with Helena." Luke: "Ya, well, you're going to have to tie them up yourself, babe. That's what I called to say. Keep fighting the good fight, and finish what we started." Alexis: "Where will you be?" Luke: "I'm hitting the road." Alexis: "Who are you, James Dean? What do you mean, 'hitting the road'?" Can you be any more oblique?" Luke: "The highway, darling--the trail, the great beyond. I'm traveling light. Don't bother to write." Alexis: "Are you all right?" Luke: "Ya, sure, I am. I'm just looking for a little fresh air." Alexis: "Do you think this is a good time to do that, with Helena..." Luke: "Helena is no match for you. I'm flattered that you think you need me, but you'll be all right." Alexis: "I never said I needed you." Luke: "Well, you don't have to. We're close that way." Alexis: "How long will you be gone?" Luke: "'Til I get back. I got no plans." Alexis: "Oh. How odd. For a moment, I thought I might miss you." Luke: "I'll take that. And I'll give you this one--you're royalty, Natasha. You don't need the Cassadines' crest, their backing, or their sanction to be who you are. You remember that." Alexis: "Hmm." As well as they manage to write Luke off for a while each year for Geary's vacation (and this time makes perfect sense), I have to say that it stinks that Luke won't be around for the fallout from this one. I'll also miss the banter between these two. James Dean indeed. I find it interesting that Luke's blanket condemnation of Cassadines has lifted for Alexis. At first, he used her Cassadine relationship to get her out of Lucy's employ, but then he seemed to be intrigued by it. He took to her so well that even though he's used her in this latest caper, I believe his words to her here. Why is she different? Her gender has something to do with it, I think. Not only is he attracted to her, but it is also a big part of him to protect women. Alexis has needed protecting. So it's been a weird mix of hesitance and devotion, and I like it.
Helena: "I demand to know why you've invited me." I thoroughly enjoyed these scenes of the arrest, both at the house and later at the station. The delivery was great, the surprise revelation of the fact that Helena was the guest and not Laura was fun, etc. But these weren't the Cassadines. No, these were some characters nearer to the Quartermaines. In fact, the humor the Qs have lost has clearly been relocated to the Cassadines, and I'm not sure I like that. Stefan should know better than to think this is so easy, and while Alexis and Nik were somewhat more believable, a high-five seemed a bit much. I know this was intended as a contrast to what was coming in the courtroom, but it was too over the top for my tastes. Stefan: "There was a diamond known as the ice princess, the largest uncut diamond in the world. It's been missing for years. I happen to know it was last in the possession of my mother. Perhaps you can add grand theft to your list of charges." Luke: "Oh, yeah. There you are, my princess of the cold, cold heart. Daddy's home. All right. You know the drill. Give it up, sweet baby." And I HATED this. The mention by Stefan was out of the blue, and while it amuses me always to see Luke with his black bag o' tricks, this gag seemed stuck on the episode. I know it'll be dropped, and it was unclear to people whether Luke had possession or whether he was breaking into one of Helena's bank holdings. Guza described this bit as "cute," and that's more than I can say for it.
Helena: "Remove these shackles immediately."
Helena: "I'm not armed, if that's what concerns you. Well, you're perfectly welcome to look for yourself. And my rings do not convert to daggers."
Stefan: "If only every brush with the Scorpio girl could be as safe as this one."
Felicia: "You arrested Helena Cassadine?" Helena: [to Garcia] "What an utterly loathsome profession for a man of your appeal. You know, my towel boy makes more than you do, and he derives far more pleasure from life." Alexis: "That woman is entirely too happy."
Dara: "Your honor, appearing for the state, assistant district attorney Dara Jensen."
Helena: "Oh, not the one you have now. The old one--the one I bribed. I'm certain that he substituted a corpse that no one else was using."
Judge: "Did it occur to you at any point in this state-of-the-art science-fiction caper to inform someone that Ms. Bell was alive?"
Judge: "And, Ms. Bell, I hereby demand that you submit yourself to such medical or dental examinations as the state may require for the verification of your identity." Dara: "Look, why don't you all take experimental drugs and go into comas? Then that way maybe you wouldn't be wasting my time and the taxpayers' money working out your dysfunction in the courtroom." Helena on the stand is a delight and I loved the crack from the writers about the evil twin, but I couldn't even enjoy that for my hatred of Katherine and that smug smirk she seems destined to wear permanently now that she's back. I'll spare you my rant about Katherine (well, save it for later) and a discussion of my distaste for Mary Beth Evans's acting ability, especially when she's trying to play this side of Kat's character. Suffice it to say I was not amused and not looking forward to this storyline at all.
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